Masacote - element
In timba"> timba (a Cuban music style related to salsa, but with stronger influences from funk,
Afro-Cuban rhythms, and jazz), a "masacote" typically refers to a powerful, rhythmic burst in the music.
It’s a short, intense moment where the instrumentation – especially the rhythm section – becomes extra groovy, syncopated, or funky.
Characteristics of a masacote:
Often instrumental, with a lot of space for the bass, piano ( tumbao), percussion, and horns.
Used to build energy or to mark a transition in the song.
Can be accompanied by dance accents or "breaks" during a performance or social dancing.
It often feels like a kind of musical explosion or a funky groove-pocket that takes center stage.
In the context of dance, such as Rueda de Casino or timba"> timba solo, dancers may respond to a masacote with expressive or improvised movements, much like they would during a "break".
Example:
Listen, for example, to Los Van Van, NG La Banda, or Elito Revé y su Charangón – they regularly use masa-cotes as part of their arrangements.
When you hear it, you often recognize it immediately: a sudden burst of funky intensity that electrifies the dance floor.
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[ 4:29- 4:57] Masacote gear: el bajo se cae, quedan el piano y los toms tocando, quizás también las congas. (Esto es un gear de timba"> timba en el que el bajo se empieza a ir)
Timba is the music this site is dedicated to exploring. It emerged as a distinct genre in the late 1980s and crystallized in the early 1990s — born in a moment of social crisis, built on the full accumulated history of Cuban music, and still evolving today.
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Lees meer >A Cuban popular dance music genre that emerged in the 1980s–90s
- emerged in the 1980s–90s
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