Chango
- Orisha of thunder, lightning, fire, drumming, kingship.
- Toques: Chachachá, Alujá, Obakoso.
- Strong, fiery, powerful rhythms — central to batá tradition.
Name |
Language / Region |
Notes |
Ṣàngó |
Yoruba ( Nigeria) |
Original name in Yoruba script (with “Ṣ”) |
Shango |
Anglicized spelling |
Common in English texts and diasporic lit |
Chango |
Spanish-speaking diaspora |
Used in Cuba, Puerto Rico, etc. (Santería) |
Changó’s Toques on Batá
Some of the main toques for Changó include:
- Chachá
- A strong, energetic rhythm that marks Changó’s presence.
- Played with sharp accents and a forward-driving pulse.
- Aluya
- A toque used to praise Changó with danceable, syncopated patterns.
- Popular in ceremonies because it’s closely associated with his identity.
- Obakoso
- Means “the king does not hang himself”, one of Changó’s most sacred toques.
- Very powerful rhythm tied directly to his myths of survival and triumph.
Origin of:
Heritage of:
Bembé
Batá
Batá Drums
Used in Yoruba religious music and Afro-Cuban fusion.
- Flowing 6/8 bell/drum rhythm.
- Yemayá and Oshún
- Shared across several Orishas (often Yemayá and Oshún but also used generally)
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