Palo pa la campana - Tromboranga
Salsa tends to be easier to understand than timba, making this a helpful starting point.
Although this is a salsa song rather than timba, I’ve included it here because Joaquín Arteaga — timbalero and bandleader of the salsa orchestra Tromboranga — posted a YouTube video explaining the musicality and basic structure of “Palo pa' la campana.”
0:00.0s
-
[0:00-0:21] Intro: Horns playing intro melody while rhythm section plays a salsa groove.
-
[0:21-0:31] Bridge: Rhythm changes to Oriza rhythm.
-
[0:31-0:50] Verse: Singer starts telling the story of the song.
-
[0:50-1:00] Bridge: Rhythm changes again to Oriza rhythm.
-
[1:00-1:19] Verse continues: Singer continues the story (back to salsa rhythm).
-
[1:19-1:29] Bridge
-
[1:29-2:08] Verse continues: Singer continues the story (back to salsa rhythm).
-
[2:08-2:17] Bridge
-
[2:17-2:27] Montuno section
-
[2:27-2:46] mambo"> Mambo section: Starts with piano and bass.
-
[2:46-2:57] Little bridge: Piano plays a steady guajeo.
-
[2:57-3:34] Bongo bell solo: Piano keeps playing a steady guajeo.
-
[3:34-5:10] Second mambo"> mambo: With chorus on top.
-
[5:10-5:29] Second montuno
-
[5:29-5:48] Ending & Coda: With Oriza rhythm, chorus, and inspiring sonero.
-
[5:48-6:24] Credit roll
Joaquin Arteaga explaining "Palo pa la campana"
Lyrics video
Mambo
In Cuban music, especially in salsa and son,
the " mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
Mambo
In Cuban music, especially in salsa and son,
the "mambo" section typically refers to a brassy, rhythmically intense instrumental break,
often featuring repetitive horn lines, call-and-response patterns, and building energy toward the climax of a song.
The largo, canto, or verse, is where the lead vocalist sings the main lyrical content of the song.
In Timba, the canto often contains a narrative or thematic element and is supported by the rhythm section and background vocals.
Lees meer >The conclusion of the song, which often mirrors the intro or brings the song to a close with a final statement by the band.
Lees meer >Introducción
This is the opening section of the song, which sets the mood and introduces the musical motifs.
It often features a horn section and can include elements from the song's main themes.
This section is characterized by a more open and interactive part of the song, where there is a dialogue between the vocals and the instrumentalists, leading to a more improvised feel. The montuno is typically built on repetitive piano and bass patterns and may include call-and-response singing.
Lees meer >Evolved from son and danzón, popularized in Havana but rooted in eastern Cuba’s rhythms.
Lees meer >
A pair of small drums played with fingers and palms.
Lees meer >